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Joan of Arc by Albert Lynch (1851-1912)
engraving from Figaro Illustre magazine, 1903

Joan of Arc by Albert Lynch (1851-1912)

engraving from Figaro Illustre magazine, 1903

(Source: paintingses, via lordeddardstark)

luckydreaming:

my anaconda don’t…

image

my anaconda don’t…

image

My anaconda dont’ want none unless you got buns hun

image

(via like-thedrum)

vaingloriousbitches:

Nyasha Matonhodze wearing Alexander McQueen photographed by Sølve Sundsbø for Vogue Japan, November 2011

vaingloriousbitches:

Nyasha Matonhodze wearing Alexander McQueen photographed by Sølve Sundsbø for Vogue Japan, November 2011

(via pulpflction)

spectreofsexlessappeal:

Nini Theilade as Venus in the Ballet Russe de Monte Carlo’s Bacchanale, choreographed by Leonide Massine, with scenery and costumes by Salvador Dalí, circa 1939.

spectreofsexlessappeal:

Nini Theilade as Venus in the Ballet Russe de Monte Carlo’s Bacchanale, choreographed by Leonide Massine, with scenery and costumes by Salvador Dalí, circa 1939.

(via 101ballet)


Joan of Arc by Albert Lynch (1851-1912)
engraving from Figaro Illustre magazine, 1903

Joan of Arc by Albert Lynch (1851-1912)

engraving from Figaro Illustre magazine, 1903

(Source: paintingses, via lordeddardstark)

(Source: vvlow, via badgorlbribri)

(Source: richbitxxxh, via badgorlbribri)

luckydreaming:

my anaconda don’t…

image

my anaconda don’t…

image

My anaconda dont’ want none unless you got buns hun

image

(via like-thedrum)

vaingloriousbitches:

Nyasha Matonhodze wearing Alexander McQueen photographed by Sølve Sundsbø for Vogue Japan, November 2011

vaingloriousbitches:

Nyasha Matonhodze wearing Alexander McQueen photographed by Sølve Sundsbø for Vogue Japan, November 2011

(via pulpflction)

spectreofsexlessappeal:

Nini Theilade as Venus in the Ballet Russe de Monte Carlo’s Bacchanale, choreographed by Leonide Massine, with scenery and costumes by Salvador Dalí, circa 1939.

spectreofsexlessappeal:

Nini Theilade as Venus in the Ballet Russe de Monte Carlo’s Bacchanale, choreographed by Leonide Massine, with scenery and costumes by Salvador Dalí, circa 1939.

(via 101ballet)

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No sir, the girl really worth having won't wait for anybody.

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